Ponto Prévio à Flor

Ponto Prévio à Flor
Gaivotas Em Terra

UMCOLETIVO & Joana Leal

Ponto Prévio à Flor

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Opening hours (exhibition "work in progress"): tuesday to saturday | 3pm-7pm
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opening of final exhibition: 29 oct | saturday | 6pm-8pm
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workshops: fridays | 3pm-5pm & saturdays | 4pm-6pm
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Interfluencies (talk): 29 oct | sat | 5.30pm-6.30pm

Booking: €

CREATION Joana Leal
CREATIVE SUPPORT Cátia Terrinca
TECHNICAL, LIGHT AND SOUND SUPPORT João P. Nunes
WORKSHOP COORDINATION Raquel Pedro
DESIGN AND RECORDING David Costa
PRODUCTION UMCOLETIVO

To forget Joana Leal’s work would be as dangerous as running with a needle in your hand. Ponto Prévio à Flor is a woman’s unassuming invitation for us to run with her against forgetfulness – on the journey from the entrails to the surface of the skin, from the interior to the capital, from intimacy to community. 

Joana Leal is an artisan, seamstress and collector of maps, lace, clocks and boxes of Elvas plums. Her passage through life is haunted by being a woman, as much as by being born in the interior. A mantle of oblivion thus weighs over a work whose brilliance lies in its longevity and detail, but above all in the freedom based on the certainty of one who knows things that few people see. Joana achieves enough alchemy in the lines to overcome the setbacks initially enunciated: even so, the work accumulates the rancour of oblivion and translates the daily life of those who do not know to whom to pass the testimony. PONTO PRÉVIO À FLOR is, therefore, a performative homage, which starts from Joana Leal’s textile art and handicraft, which seeks to give centrality and joviality to a singular work whose risk of extinction is real.

JOANA LEAL (Elvas, 1951)

Joana Leal is an artisan, seamstress and collector of maps, lace, clocks and boxes of Elvas plums. For 20 years she has had a House-Museum open to the public, on Rua de Alcamim, in Elvas, where she exhibits her own work and also objects from her private collection. He has won awards with his works in Portugal, Spain and France and has exhibited individually and collectively, highlighting the exhibition Arte-Sã-Nata at Casa da Cultura, in Elvas, in 2015/2016, as well as the co-creation with Ricardo Santanna of “UM QUARTO DE PENÉLOPE”, within the Festival A Salto, in Elvas, in 2017. As a costume designer, she works with UMCOLETIVO in Cartas (2018) and Teatro Radiofónico (2017) and with Santi Senso in Parir (2018).