Ok, honey

Ok, honey
Gaivotas Em Terra

Inês Madeira Lopes, Madalena Rato & Noeli Kikuchi

Ok, honey

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Thursday-Saturday •

Duration: 60min
Age-range: +12
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𝙸𝙽𝚃𝙴𝚁𝙵𝙻𝚄𝙴𝙽𝙲𝙸𝙴𝚂: 18 june || saturday | 4pm-6pm
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𝐓𝐈𝐂𝐊𝐄𝐓𝐒: 6€, 8€ or 10€
: : : : : : : : : : : : : : the different prices do not correspond to a difference in seats, they only allow you to pay the minimum or, if possible, to contribute more to support the artists
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Booking: €

Between husband and wife don’t put the spoon.
Between man and woman don’t put the knife.
Between table and pot don’t put the cutlery.
Between sofa and television put the old cow.

The ox puts his foot in the boo-boo.

 

Ok, honey is an interdisciplinary performance between music and dance, which results in a distortion of the conventional roles of classical instruments and the female body at home.

Artistic direction and interpretation: Inês Madeira Lopes, Madalena Rato and Noeli Kikuchi
Musical composition: Inês Madeira Lopes
Choreography: Noeli Kikuchi
Percussion Direction: Madalena Rato
Photography: Ana Paganini; Alípio Padilha
Residency Support: Biblioteca de Alcântara; B.O.T.A.; Cão Solteiro . residências 120; Escola Superior de Música de Lisboa – Instituto Politécnico de Lisboa; Estúdios Victor Córdon, Fábrica Braço de Prata
Logistic Support: Metropolitana
Communication Design: Nicolás Fabian
Acknowledgements: Francisco Cipriano; Miguel Sobral Curado

Inês Madeira Lopes, composer who develops her work and research around multidisciplinarity and collaborative creative processes. Questions her position as a composer, assuming her performative position.

Madalena Rato, a young classically trained percussionist, has challenged herself to participate in contemporary works, de-formatting her traditional artistic practice.

Noeli Kikuchi, Japanese contemporary dancer and performer, has been working in the area of dance and theater, researching non-conventional expressions. She is interested in the theory of Performing Arts.