Hitchcock Blondes

Hitchcock Blondes
Gaivotas Em Terra

Silvestre Correia

Hitchcock Blondes

Here, the word blond finds its place as merely an image. There’s a certain reaction that the filmmaker we speak of seeks to provoque and so, with that in mind, he uses the visual aspect fearlessly as he allows his intentions to successfully emerge onto the real world. The audience’s perception is then altered, their senses transforming them into live puppets, human-like objects ready to feed the master of suspense’s personal amusement.

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    Thursday-Saturday •

  • Saturday •
    INTERFLUENCIES #5

Duration: 60min
Age-range: M/ 12

Booking: 7.50€ • 5€ [Discount]

When talking about “Hitchcock Blondes”, what’s being referred is a visual experiment that is majorly influenced by the universe of the filmmaker Alfred Hitchcock. The title should carry the viewer’s attention towards a specific kind of blond, the Hitchcock blond, that is seen covering the heads of many of his actresses. These light coloured locks served as nourishment for the director’s fantasies, not only the visual but also, very likely, the sexual. This was especially evident on Hitchcock’s behaviour towards Tippi Hedren, the actress whose name found its way to stardom due to her role in the 1963 motion picture “The Birds”, her later testimony revealing the director’s sick obsession.

CREATED BY Margarida Correia
WITH Anabela Ribeiro, José Valente and Margarida Correia
ORIGINAL MUSIC José Valente
SCENOGRAPHY Margarida Correia (with the support of António Olaio)
LIGHT AND VISUAL ASSISTANCE Jorge Carvalhal
VÍDEO AND PHOTOGRAPHY Francisco Carvalho and Vitorino Coragem
ARTISTIC RESIDENCY cão solteiro.residências
SUPPORT Fundação GDA, Org.i.a, (PI) Produções Independentes

This “visual experiment” reveals a wall between two colours, black and green. The black inspired by Hitchcock’s iconic silhouette and the green by “Vertigo” (1958), in which the filmmaker found the great potential of the colour while creating dreamlike environments, at the same time as he depicted, in a pervert kind of way, the feminine blond as something to be worshiped.

However, the visual won’t be taking over the entire experience, this theatrical act is also accompanied by an original soundtrack, inspired by the highly recognizable musical theme from “Psycho” (1960), composed by Bernard Herrmannn. With this tool, the viewer is transported towards the horrors of a film well known many.

Actress with a degree in theater – branch of actors, from the School of Theater and Cinema (2016) and in Artistic Studies from the Faculty of Letters of the University of Coimbra (2012). She began her theatrical career in 2010, the year she is part of the CITAC – Coimbra Academy’s Theater Initiation Circle. In her artistic career, she received training, among others, from Tiago Vieira, Luis Miguel Cintra, Luca Aprea, Jean Paul Bucchieri, Francisco Salgado, Vania Rovisco, Peter Michael Dietz, Andrés Bezares, Mafalda Saloio, Pedro Fabião, Rodrigo Santos among others. Integrates and collaborates with the multidisciplinary collective DEMO. As an actress / performer she has been part of the independent projects of Isac Graça, Margarida Correia, Mário Coelho and Pedro Baptista.

António Olaio, plastic artist, was born in 1963 in Sá da Bandeira, Angola and lives in Coimbra. Professor at the Department of Architecture of the Faculty of Science and Technology of the University of Coimbra, having presented, in 2000, a doctoral dissertation, built from the work of Marcel Duchamp. Director of the College of Arts and researcher at the Center for Social Studies at UC. His performances led him to music, having been the founder of the Strabic Reporter group in 1986, and since 1995, the songs he composes with the musician João Taborda have often integrated his videos and exhibitions.

Francisco Carvalho graduated in cinema direction at the School of Theater and Cinema in 2012. He worked in the editing of films by directors Edgar Pêra and Luís Alves de Matos, and also collaborated with the artist António Olaio. With the short films he has done he has participated and received some awards and distinctions in film festivals. She recently directed the short film Away from the Amazon, which competed at the Vila do Conde Curtas festival and the Swiss Visions du Réel festival, and was also awarded Best Documentary Short Film at the Pärnu International Documentary and Anthropology Festival in Estonia. In addition to his work as a director, he has participated in interdisciplinary collaborations with the fine arts and / or with music, as well as in the editing and design of films and documentary, institutional and fictional series. Also collaborating with João Moreira and Pedro Santo, he is currently responsible for the animation and editing of content for the humorous character “Bruno Aleixo” and his universe.

José Valente is an award-winning composer and violist. Doctorate in Contemporary Art with distinction and unanimously from the University of Coimbra. Awards: Honorable Mention at the Lopes-Graça 2009 Composition Award; winner of the “Serralves em Festa” 2010 artistic projects contest; New Talent Fnac 2014; The Hannah S. and Samuel A. Cohn Memorial Foundation Endowed Fellowship (US).

Graduated from the Superior School of Theater and Cinema, she had the opportunity to work in several national theaters (Dona Maria II National Theater, Polytechnic Theater, Cornucopia Theater, The Lisbon Players, Neighborhood Theater, Electric Theater Theater, among others). In 2016, she created a series of videos which she called Portraits, which consisted of the altered depiction of popularly known figures, and in 2017, she presented his first Merry Christmas performance, Miss Marilyn Monroe and Deolinda, a Christmas tale. In the same year, she presented his first SNOW theatrical creation. In 2018, she introduced Lovebirds and her second Murphy theatrical creation, Beckett (ONE MUST GO).

Vitorino Coragem is a photographer and journalist. Graduated in Sociology, he worked as a writer for the newspaper A Capital, Diário de Notícias, Folha de São Paulo and La Opinión de Granada. His photographic record privileges the body and body expression. “Maria Bicicleta”, “Light and Sea” and “Onstage” are his most recent projects. He covers cultural events, especially in the areas of poetry and performance. He often collaborates with theater companies and literary festivals. He is a bicycle activist in the city of Lisbon.