It will be there exactly. There. Precisely there. Indeed, in that exact place, receptacle of everything and nothing. There, between the sensible and the intelligible: chora. That there exists but is not seen, it was never seen. Visible-Invisible; Public-Private; Man-Woman; Known-Unknown.

It is in the overcoming (because denounce) of the polarised thought that this individual exhibition of Alice Geirinhas is built. With the platonic concept of Chora has a starting point – and its derridian discussion -, the works presented here concur to the discussion of scopic regimes that hierarchise gender visibility, obliterating the woman in a persistent and differentiated way, or relegating her to stereotyped role-images.