Capturing you | Fictional Politics of movement

Capturing you | Fictional Politics of movement
Gaivotas Em Terra

Ana Libório

Capturing you | Fictional Politics of movement

|| ARTISTA NO BAIRRO 2021 ||

WHAT’S UNDER THAT? [Performance installation]
at Cão solteiro.residências120

CAPTURING YOU [Performance]
at Rua das Gaivotas 6

-

  • tuesday to friday • -
    what's under that? (performative installation)
  • tuesday to friday •
    capturing you (performance)
  • nov 12, friday •
    clube espectador

Duration: 55min
Age-range: +16
Tickets: 6€ or +

Booking: 6€

What’s under that?
A start point or making something visible;
I needed to stop and look at everything that has been created so far. Exploring dualities, oppositions and temporalities to find something that doesn’t belong to me.
The system of the systems;
Take something that seems relevant or desirable and put it to work. Offer it to a consumer who is never satisfied.
What’s under that?
A que(e)ry system or a system of recognition;
Enumerate, confront and consume. Interrelational systems, polyglamorous systems, politics of movement, (and so on and on.. (feat Zizek…). A process of recognition and transduction. Which is the system that you care about?
What’s under that?
The performative context.
What’s under that?
A donkey looking at a palace.
What’s under that?
Never ending story…

 

http://themasterclasses.com/ideas-on-how-to-breakup-softly-use-a-pause-all-the/

ARTISTIC DIRECTION AND CONCEPT
Ana Libório

IN COLLABORATION WITH
Cília Herrmann, Bruno José Silva, Diogo Melo, Gonçalo Alegria, Nuno Braz de Oliveira, Filipe Pureza & André Loubet.

EXTERIOR SIGHT AND INITIAL SCULPTURE: Tiago Vieira

COPRODUCTION
Artista no Bairro – Cão solteiro. residências 120, Rua das Gaivotas 6 & Plataforma 285;

SUPPORT
Fundação Calouste Gulbenkian; Self- Mistake; Artista no Bairro (Rua das Gaivotas 6, Cão Solteiro. residências 120, Plataforma 285), Companhia Olga Roriz, Cova da Baleia – Parque Aventura;

ACKNOWLEDGMENTS
Mor Demer, Teatro Cão Solteiro, Rua das Gaivotas 6, CPBC, Companhia Olga Roriz, Latoaria, TRUST, Sónia Baptista, Tânia Guerreiro, Ana Ribeiro e António Duarte, Mafalda Jacinto, Tiago Vieira, Onde está a espada, Gonçalo Carvalho, Eulália Libório, Silvestre Correia, Ricardo Raposo, Carlos Cardoso, João Estevens, Lina Santos, Sérgio Lino, Constança Morão, Susana Oliveira, Ricardo Sousa.

Ana Libório (they/them) is a Portuguese transdisciplinary artist. She started her training at Escola Superior de Teatro Superior School of Theater in Cinema in the Acting branch, later she started her master’s degree in Philosophy at the Faculty of Arts, University of Lisbon and currently studies and lives in Berlin. Through the intersection of visual arts, video game universe, philosophical-choreographic language and theatrical theatrical “hermeticism”, Ana builds installations, performances and other things artistic or not.

Cilia Herrmann is working in the field of dance. They are intrigued by the transformation of space. Both, in a physical way, working with scenography, and in a social-political way, working with street interviews and writing. Choreography is a tool for them to observe and shape transformation. Bodies are landscapes on which this transformation gets inwritten. With their latest piece Let us be the second body they graduated from Stockholm University of the Arts (BA in Dance Performance) in 2021.  Further they worked with choreographers such as Thiago Granato, Hooman Sharifi and Amanda Piña.

While using his  background in architecture, he centers his training as a theme for investigating and developing new projects that can take various artistic shapes – be it installations, over video or photography – all while questioning the status of image, its usage and its mechanisms of its own production. His research brings forth a multi-sensory reflexion, by means of spatial apparatuses, questioning the mutability of an image and its potential of fracturing/rupturing not only in itself as well as in its capacity to disturb the experience of multi-perception. Since 2018 he works with theatre company Plataforma285 for which he develops pieces in set-design and photography.