Síncrono | Do registro ao fluxois a processual project that places drawing (record) and performativity (body) in interception.

Drawing emerges anchored in two essential poles of creation, the first induces the records in the field of ephemerality and the second extends to the use of materials and non-extractive materials, recycling, offering, collecting and gleaning in drifting processes. In the performative territory, I intend to open up to places of research and experimentation where gesture is the vehicle, in this case, from the act of constructing the drawings.

The performance and the devices architected manifest themselves as if they were codices, in Ritualistic actions, envisioning a ceremony composed of segments vividly under pluriprism listening and attention. Figures, glyphs, signs and symbols in arancio tones compose non-linear narratives of a kind of raw genealogical tree, which by and in the absence of understanding/veracity, intuition is summoned as salvation.

Time is, in this project, seen and desired as a living, pulsating, cosmic, mutable presence, with a spiral character and not based on the quality of speed or tempo, but rather on the circumstantial and circumstantial purpose that of itself and by itself also concerns chance, error and the unexpected.

After the end of the actions, the dilution and the absence of the performer, the exhibition objects remain enjoying the place as rhizomes, celebrating the crucial presence of each frequency (spectator).