CREATION AND DIRECTION Eduardo Batata
PERFORMERS Eduardo Batata, Gustavo Salvador Rebelo, Maria Llanderas
TEXT María Llanderas e criação colectiva
BASED ON António Botto, Paul B. Preciado e Santa Teresa de Ávila
SOUND DESIGN João Caeiro Farias
LIGHT Filipe Pureza
CO-PRODUCTION Teatro do Cão Solteiro e Rua das Gaivotas 6
ACKNOWLEDGEMENTS Andre E. Teodósio, Cão Solterio, Diogo Bento, Liliana Mauriz, Nuno Alexandre Ferreira, Pedro Barreiro, e Sara del Pereira.  
PICTURES BY Sara Del Pereira and Alípio Padilha

Ébrio (Drunkenness) is a body. “Silent indifferent”, as Botto says. Not much to say. Ébrio is in this room and will make himself known. “Febrile, almost crazy” in his alienated state, with no memory of the conventions he lost.

Ébrio departs from the concept of drunkenness proposed by Botto in a different reading of being drunk. Ébrio is a proposal of stunning reality, where gender and body constraints have been intoxicated, so that they can no longer manifest themselves.

Ébrio is a body. Ébrio uses the body and its movement to question pre-established conventions and proposes a drunken state in which those conventions have lost their importance. On the scene are three questioning bodies that are questionable. Who want to lose inheritance of meanings attributed to their bodies.

These three figures use a space device that dilutes the roles of audience and performer.